AwfulJams 2016 - Grandfathered In

I did a game jam!  Specifically, we did a game jam; we being my old co-worker, Albert Peter, and my brother, John-Mark.  Albert did game design, writing, and art.  John-Mark was in charge of programming.  And I was in charge of character designs and sprites.

It was for AwfulJams 2016, a game jam run by some goons over at the Something Awful Forums.  It's a month long, and this year's theme was "Games for Grandpa."

Coming into it, we had this idea to do a visual-novel style game.  We had an idea of the theme, but it wasn't fully announced until the start date.  Very quickly we shifted from a single-encounter visual novel with 3D characters, to a 2D Long Live the Queen style game.

The story, written by Albert, was that the elderly were getting taken over by the militant-style Millenials, being forced to conform, or otherwise mysteriously disappearing.  We worked in several different endings, such as Grandpa successfully conforming by passing the Millenial's test at the end, Grandpa successfully not-conforming (but still passing the test at the end), and Grandpa escaping with a certain multi-platinum singer songwriter best friend.

Check it out here: https://floteam.itch.io/grandfathered-in

Before I get into a bit of a post mortem, here is the art that I had worked on:

I drew all of the character designs, did the coloring/shading, and inked all of the game sprites, except for the linework in base grandpa, grandma Muriel, and his grandson, Jason.  Albert did the linework for those.

Here are some of the pre-ink-and-color sketches.  You can see some alternate designs here.

And here are the original Grandpa Horace sketches I did, when I was exploring style.

Jacob's Post Mortem (after the jump; click Read More to view)

Into Cover and Wall-flip Animation

I've worked on this one for just two days.  I wanted to do that slide up to the wall bit; it's a good practice shot.  I actually think that part is working the best, and I'm looking forward to doing that smooth reload animation from my reference.  The flip though, this is where my reference stopped short.  I didn't decide what I wanted to happen at the end, because I didn't put the same amount of thought into that motion.

I ended up doing two versions of the end, a standing side vault (usually done from a run) and a flip.  Forgive the lack of timing on the first vault.  They do look cool, but I still have to decide what the story of the shot is; that's something that I should have already worked out, and now I'm suffering for it.

Portrait of Brynmore "Mouse" Skweaken, the Deep Gnome

In my current D&D group, we're stuck in the Underdark.  To those who are uninitiated, it's just an underground world, with darkness-dwelling races, such as the deep gnomes.  My previous character, an English thug, didn't quite fit in this world.  So I've created this new guy, and had to create a portrait to go with it.

And frankly, I'm pretty proud of him.  I mean look at him, that's pretty awesome, right?  I don't do as much digital painting as I do animating, but I'm glad to see something really cool come out of it every so often.

Below is the original painting, before the parchment effects.  He's a slightly hairy deep gnome, and his thing is that he's whole-y plain.  He's not SUPPOSED to stand out in any dramatic way.  That's how he gets away with being a spy.

Basketball Blocking and Running Poop

That title couldn't be more accurate.  I've been working on this basketball shot for a few hours.  It is based off of a video of a great deke shot with this hilariously cocky exit from the guy with the ball.  The blocking of the offensive player was easy, since he moved so dynamically.  The defensive player was a little bit more subtle in their movement.  All the same, it has a pretty good flow, though it still needs a bit of work:



So.... eventually I went on and did this.  Yeah... running poops and toilet paper.  Don't grow up, folks, life is way more fun that way.

The two Legion rigs are from the iAnimate rig libary
The poop rig (aptly named Shit rig) is from David O' Rilley's External World Character Rigs

Genre Swap and the Anti-Grav Meteor Hammer Animation

I did a stream with Ryo again this week. The topic was genre swap, where you take one character, and remake them in a different genre. I decided to take my own spin on this, and redo a D&D character of mine as a sci-fi character.

My original idea was to do a meteor hammer animation. A meteor hammer is a Chinese weapon that is a weighted ball at the end of a long 6-foot, or so, chain. I had a D&D character that used a meteor hammer and I figured it might be a fun genre splash to bring it into a sci-fi setting.

I think this is a nice foundation for something, but this animation is just lacking punch.  My favorite part is the flow and the jump at the end.  The stationary swing could live on its own, and it's not very interesting.  The big swings are the cool part, but either the ball needs to stay on screen, or I need to change my camera.  I am going to revisit this one in the future, for sure, but the point now is that it's a one-evening animation, and I move on.

Check Ryoma's stream recap here (I'm in the top left corner): https://youtu.be/YDiwWek4zZE

And join him on Twitch, every Tuesday and Thursday, at https://www.twitch.tv/ryotazi.

Villainous Animation and Clip Studio Paint 1.54

My friend Ryoma Tazi streams twice a week, and he invited me to join him this Tuesday. While he streamed requests with the "Villain" theme, I animated my own villainous businessman who ends up putting out his cigar on a harmless fly. Goofy.

This was my first real test of Clip Studio Paint's new animation tools, just released this past week. I've been an avid CSP user since I started drawing on a Surface Pro 3, nearly two years ago. For the longest time, I have been looking for a good lightweight animation tool that works with multitouch, and also can handle the high pixel resolution of the Surface, at least with some sort of UI scaling.

I tried a number of animation softwares. Autodesk Sketchbook Pro had great tablet support, but it's animation tools were very limited. High end programs, like Toon Boom Harmony, have lovely features, but terrible resolution and multitouch support. So, I was pretty estatic when I found out CSP had animation tools coming, and they haven't left me at all disappointed.

Check out a sped up version of his four hour stream here: https://youtu.be/06ClbhcZfxY; and he was gracious enough to add sound and stick my animation to the end. I look forward to doing this again!

Also, check out his streams (currently Tuesdays and Thursdays) at https://www.twitch.tv/ryotazi

Dungeon World and Fate campaigns have come to a close

Well, the campaign has come to a close!

Throughout this campaign, I have been listening to a lot of podcasts on being a game master, and I have been learning a lot of great techniques.

One really cool point that I listened to was how if system designer is like a game designer, then the GM's are all level designers.  They have to not only create the world that the players play in, but they have to craft experiences for their players.  It's like it's only their job to create the fun; all of the players are responsible for that; but the GM has the power to cater to their players.  The players of a video game pick the game that matches their tastes, but in a tabletop game, you have five players who may all have different tastes.  If you're lucky, your playstyles align to a degree, but it's also up to the level designer to make sure the spotlight can pass from player to player, week to week.

By the end of the game, I think the players all had opportunities to play to their strengths.  In the final sessions, they revisted Aleria, the city that they visited way back during the second session.  I have to say, I'm extremely proud of myself, and my players, for following a breadcrumb trail I set up.  Amidst the now demon-infested city, the mystery played out perfectly, with them finding the right pieces of information to find the right location.

Unfortunately, the ending wasn't all happy sunshine and demon blood.  By the end, we had lost the lives of both the NPC they were traveling with, and the wizard who was with us from the beginning.  We did a quick epilogue, where the bodies were brought back to the academy to be laid to rest, then the remaining two players, the paladin and druid, went back to close the portal, from the inside out.  But that, is another story.

And what about the Fate game, you ask?  It too has come to a close, just before the end of the year.  We lost two along the way, but the three other players were plenty to finish out the campaign.  I learned a few things from this game, as well.

To start, I wasn't able to give them the same freedom as my other players, because newbies often just don't know what to do with the freedom.  Fate is an extremely improvisational system too, which I now realize, would work much better with experienced role-players.  My normal methods of "what do you do in response" didn't always pan out, as they were stuck deciding among too many options.  Though the improvisation occasionally got really interesting and even threw me off a number of times.

All the same, there were some really fun subtle puzzles to solve and history to piece together.  They explored some high-tech ruins (which I had fun designing) and the campaign came to an interesting close, when the Bureau they were working for was ransacked -- and the kind director went missing.  The group disbanded and the scholar character went into hiding with the artifacts... for now.

Clearly, I like my endings open ended.  I blame Miyazaki's influence.

iAnimate Games Workshop 2 - takedown

This is my favorite one yet.  There isn't a whole lot to be said. I really liked working with two characters interacting with each other. It is short and sweet, and it just drips with body mechanics. BODY MECHANICS!

This semester has been great, and I really feel like I made some great progress. Confidence comes from mastery, and I feel like I can proudly show off these iAnimate pieces to others, and feel like I'm honestly putting my best foot forward.

In the progress reel below, you can see an additional strike at the end that I ended up removing. I thought it added a really nice punctuation to the end, but I decided it messed up the flow too much. Either I'd scrap it, or completely redo it. For now, I've decided on the former.

Dungeon World and Fate

Our team has expanded once again. We've added Bartuc the Warrior (played by Chris) and Dagulus the Paladin (played by Mike) to the party, so if someone couldn't make it, we could still run the game. Their introductory mission gave us a chance to explore out the non-campaign locations of the world a bit more, and thus Rivends was founded in just one session.

But on the main front, at this point, our merry bunch has made it to New Gareth, the capital city and arcane fount of this coastal area. I only expected them to spend a session, and maybe half of another, in this location, but they've been here for three. A fun little sewer dungeon left them with some dark items, and a misunderstanding with a guard left them as bunch of murderers. And that led to a trial, three sessions later. AND it turns out that one of the characters follows a false arcane patron, the same as the big bad evil guy.

If only they had left, as I had expected them to, this would have all been avoided. I learned something interesting, in that players don't always get what you think is very obvious, and even when I spelled out "if you go with the guards, you will have a trial for murder, and they will find your dark patron, which you know is grounds for execution," that the evil-aligned player would still go along with it.

So now one of them is free, one of them is in jail, one of them is permanently locked in a high tower, to be executed in 2 days. This has become incredibly interesting; and to think, originally I wanted them to leave.

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On lighter news, I've also started a second group, running a system called Fate. (I love Fate too, by the way.) This group has been interesting because it's several strangers I've never met. I barely know their real names.

There were some issues from the get-go. Since nobody had webcams, it was hard to tell when people were not paying attention, or just thinking. That was doubly difficult with some people having microphone problems and being forced to communicate by typing. But these players, mostly new to tabletop games, have given me some really interesting stories as well. It's a very different experience as the Dungeon World group.

iAnimate Games Workshop 2 - the cannon hammer

Ric Arroyo is a badass. He knows how to be hard, and he knows how to push people. Ric, if you ever read this, keep being that guy. I'd love him to be my boss one day.

This animation started out with an idea I've been playing with, a single-shot cannon that doubles as a hammer. If you look at ancient infantry cannons, they were built with a long wooden rod to be planted in the ground, and the iron cannon mounted at the opposite head. I went through several ideas of how to juggle the box and get a cool shot in there somehow. My favorite was flipping the box in the air, and shooting it on the way down. But, I went with this combo, because I wanted to work on the physics of the slide and the knockback -- some real-world physics to work on (mixed with the fantasy of the weapon, of course.)

The idea wasn't fully fleshed out right away, as you can see from the progress reel. I make some pretty big changes partway through. The original flick of the butt end of the cannon just didn't feel powerful at all. I ended up switching to two-hands, which made a huge difference on that hit; but then I had issues with hand rotations, and shoulder alignment. And throughout the whole thing, I struggled with the slide/jump back just looking natural. It was hard to reference, because I specifically wanted all in one motion; not a skip and not a stumble. But hey, that is what learning is about.